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Walking the Perfect Square: A Novel (Moe Prager Mysteries) Hardcover – February 1, 2002

4.2 4.2 out of 5 stars 736 ratings

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August 6th, 1998: Moe Prager, a former cop, waits to call his daughter for her 18th birthday. In the midst of an ugly family meltdown, Prager is desperate to find a way to make sense of what has caused his once-happy family to implode. As he waits, however, it is Prager who receives a call that might not only solve a case that has haunted him and his wife for twenty years, but might also supply the glue to patch his family back together.

December 8th, 1977: Patrick Maloney, a supposedly popular college student, walks out of a Manhattan nightspot into oblivion. It’s no wonder Maloney’s disappearance barely registers on the radar screen. Son of Sam strikes. Elvis is dead. It’s the Sex Pistols vs. the BeeGees, Studio 54 and the Dirt Lounge, est and yin/yang, gas shortages, Quaaludes, pot and polyester, Plato’s Retreat, The Rocky Horror Picture Show, and the neutron bomb.

Moe Prager, a cop forced into early retirement by injury, certainly hadn’t noticed Patrick Maloney’s disappearance. But when Prager’s ex-partner calls with an offer to work on the case, Moe, wracked with self-doubt over his undistinguished career, signs on.

As Prager traces Patrick Maloney’s steps from his upstate home to his college dorm on Long Island, from the Tribeca bar where he was last seen to an old flame’s mansion on the Gold Coast, Moe realizes that nothing about the case, especially the details of the missing man’s life, is as it seems. Even the picture his parents gave the police was two years out of date. Why? What could his parents be hiding? What tortured secrets might have driven Patrick to create a public persona so different from his true self?

Questions multiply as Prager searches for Patrick in New York’s notorious punk underground, gay clubs and biker bars. Will Moe’s blossoming relationship with Patrick’s older sister help to bring Maloney back home or will it help to destroy any progress in the case? Can Moe overcome the roadblocks thrown in his path by dirty cops, corrupt politicians, and an ambitious reporter? And who are the truly ominous forces working behind the scenes to pull Prager into the very private hell of the Maloney family? Is Moe Prager running in circles or simply walking the perfect square?

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Editorial Reviews

From Publishers Weekly

Raymond Chandler once advised that when things get slow in a story, have a man with a gun come through the door. What's most remarkable about Coleman's first mystery to feature Brooklyn PI Moe Praeger (after three Dylan Klein noirs: Little Easter, etc.) is that he never resorts to such a crude device. Rooted in the late 1970s, the story is so solid, the characters so compelling, the pace so expertly driven that he can dispense with the usual genre stitches. If the one murder in the book occurs off-stage, there's no lack of suspense. The author makes us care about his characters and what happens to them, conveying a real sense of human absurdity and tragedy, of the price people will pay to get ahead or hide their true selves. Moe's job he's an ex-cop forced to retire because of a knee injury is to find the son of another cop, a young man who left a party one night and hasn't been seen since. So many people have been searching for Patrick Mahoney in the 20 years since his disappearance that Moe doesn't expect to be successful. As his investigation proceeds, he finds himself looking for two Patricks: one a choir boy lookalike and the other described by those who knew him as "weird" and "strange." But why? Is it possible Patrick's father really doesn't want to find his son? Patrick stands at the core of the novel, and the intricate tale of what happened to him makes for a first-rate mystery. Moe is a fine sleuth. Coleman is an excellent writer. (Dec.)Forecast: The misleading title and inappropriate jacket art won't help, but praise from a few big name authors could give a real boost to this series down the line.

Copyright 2001 Cahners Business Information, Inc.

About the Author

Reed Farrel Coleman was born and raised in Brooklyn, New York. His three Dylan Klein novels, Little Easter, Life Goes Sleeping, And They Don’t Play Stickball In Milwaukee were published in 1991, 1993, and 1997, respectively. He resides with his family in Lake Grove, Long Island, New York.

Product details

  • Publisher ‏ : ‎ Permanent Pr Pub Co; First Edition (February 1, 2002)
  • Language ‏ : ‎ English
  • Hardcover ‏ : ‎ 264 pages
  • ISBN-10 ‏ : ‎ 1579620396
  • ISBN-13 ‏ : ‎ 978-1579620394
  • Item Weight ‏ : ‎ 1.1 pounds
  • Dimensions ‏ : ‎ 5.5 x 1 x 8.5 inches
  • Customer Reviews:
    4.2 4.2 out of 5 stars 736 ratings

About the author

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Reed Farrel Coleman
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Called a hard-boiled poet by NPR’s Maureen Corrigan and the noir poet laureate in the Huffington Post, Reed Farrel Coleman is the New York Times-bestselling author of thirty-one novels—including six in Robert B. Parker’s Jesse Stone series—short stories, poetry, and essays.

In addition to his acclaimed series characters, Moe Prager and Gus Murphy, he has written the stand-alone novel Gun Church and collaborated with decorated Irish crime writer Ken Bruen on the novel Tower.

Reed is a four time Edgar Award nominee in three different categories: Best Novel, Best Paperback Original, and Best Short Story. He is a four-time recipient of the Shamus Award for Best PI Novel of the Year. He has also won the Audie, Macavity, Barry, and Anthony Awards.

With their kids moved away to far off Brooklyn, Reed, his wife Rosanne, and their cats live in the wilds of Suffolk County on Long Island.

Customer reviews

4.2 out of 5 stars
4.2 out of 5
736 global ratings

Top reviews from the United States

Reviewed in the United States on April 10, 2024
I enjoyed it immensely. A page turner! I recommend it for light, bedtime reading. I enjoyed the intricacy that kept me guessing.
Reviewed in the United States on July 21, 2013
When I read the first Moe Praeger mystery I went on and read all of them without stopping to read anything else. They are not the greatest stories in the world (except The Hurt Machine, which is very, very good) but they keep your interest and keep you reading. What's more they keep you interested in the main character, who becomes a real person to you. He even makes mistakes and goes off on wrong trails, and is very believable.
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Reviewed in the United States on June 15, 2009
This wasn't a bad book, nor was it a good book. It was just....a book. Interesting, but not riveting. I thought the plot was kind of weird and kind of intricate. In fact, it was too intricate for the strength of the plot. On the other hand, the descriptions of places were good, Moe Praeger is an okay protagonist, there's a lot of tough-guy lines in the book and generally good dialog. I guess I like books a little more fast-moving and intense. I'll give it three stars.
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Reviewed in the United States on September 8, 2013
Though I've been a lifelong reader of mysteries, I was never a big fan of hardboiled detective stories. I loved the atmosphere, but found the characters lacking. Well, Reed Coleman has solved that problem and brought us a wonderful new detective, Moses "Moe" Prager. Forced out of the NYPD before he could get his detective's shield because of a blown knee, Prager has reluctantly gone into the wine business with his brother. When a close friend asks him to help with a missing persons case, it's Moe's chance to get away from retail for a bit and try his hand at a real case. Patrick Maloney was at a party when he walked outside and was never seen again. Though he immediately dislikes Patrick's father, Moe decides to take the case, but right away thinks things aren't quite right. Why do the posters all over town show Patrick's prom photo, when his appearance has changed quite a bit since then? Why is Patrick's father so hostile? Is Patrick dead, or did he run away?

Moe's narrative voice is exquisite. It has all the intrigue and weary sarcasm of Philip Marlowe, but rather than being a lone wolf, Moe is a family man -- he has a brother and sister and actual friends! He is wary but hasn't given up on the world quite yet. I like this character very much.

Another element I truly enjoyed about this novel is that I've been reading Scandinavian thrillers for several years now, like many people drawn in by the Dragon Tattoo series, and one of the things I love about them is that there's often a more complex structure than just a chronological telling of the story, and Coleman pulls that off too. The story is told as it occurred in 1978 (and the times are magnificently captured in Moe's description of the Son of Sam summer, etc.) and it alternates with 1998, when Moe learns something about the case which will shift his interpretation of events and the people involved. Emotionally wrenching is the account of a relationship Moe forms in 1978 which is affected by the events of 1998; this is handled beautifully.

This is an intriguing story masterfully told. If you like hardboiled detective stories, thrillers, Scandinavian procedurals, or just a good mystery, you will enjoy this book and the series. These are terrific detective stories set in Manhattan and Long Island, and Moe Prager is the perfect detective, the guy you'd want on your case -- a man interested in the truth and justice, even if he doesn't see it too often.

The books in order are: Walking the Perfect Square, Redemption Street, The James Deans, Soul Patch, Empty Ever After, Innocent Monster, Hurt Machine and Onion Street.
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Reviewed in the United States on August 5, 2009
Reed Farrel Coleman is an author I have newly started to follow. His Moe Prager series is, so far, what I would consider to be one of the best mystery series ever published. "Walking the Perfect Square" is not a perfect book by any means. Its writing style is clunky, its story jumps around a little too often, and its characters actions hinge a little too tightly to the unfolding plot. All of that aside, this is still a really good book.

The story jumps back and forth from 1977 to 1998. In 77, Prager is looking back at his career as a police officer and forwards to what lay ahead. A few years before Prager managed to find a missing kid rather miraculously and now he is being tapped by a high powered public servant to find his missing kid. This is the story of that investigation.

In 98, Prager is 20 years on in his life, but is still resolving questions from his 77' case. You only catch snip-its here of this story, its where Coleman packs his punches in the end after a nice long set up. As I said above, I felt like the characters were being fleshed out to fit into a plot structure. Of course your going to find this in any book you ever pick up, but here Coleman comes across as an author with blinders on, unwilling to see anything outside of his immediate scope. Primarily its the involved detail that Coleman plays with that gets this story just crackling. So, and I know Im not doing a great job of explaining this, when a character does something sort of outlandish, and by doing so furthers the story along, I think it hurts the over all experience.

I would say that this is one of the two or two or three best mystery series' out their right now. Stieg Larsson's posthumous trilogy is shockingly good. I dont think you have to start with this book, but it might be best if you did.
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Top reviews from other countries

Rhona Smart
5.0 out of 5 stars Five Stars
Reviewed in Canada on May 24, 2017
Glad I have discovered this writer. Great summer reading.