From School Library Journal
Grade 3-8-Nelson illustrates the noted poet's "Mood Indigo," from her collection entitled A Daughter's Geography. The book begins with the opening lines of the poem set against a pale gray page: "it hasn't always been this way/ellington was not a street." Opposite, a full-page painting shows several people walking beneath a green sign that reads Ellington St. A young African-American woman carrying a red umbrella is prominently featured, and readers will soon understand that she is the child narrator, all grown up (the resemblance is striking). In the poem, Shange recalls her childhood when her family entertained many of the "-men/who changed the world," including Paul Robeson, W.E.B. DuBois, Ray Barretto, Dizzy Gillespie, "Sonny Til" Tilghman, Kwame Nkrumah, and Duke Ellington. Both the words and the rich, nostalgic illustrations are a tribute to these visionaries. Done in oils, the skillfully rendered portraits emphasize facial expressions, clothing, and physical positioning on the page, and provide unmistakable insight into the persona of each individual. Although presented in picture-book format, the poem is sophisticated, and therefore it may need to be read aloud and explained to younger readers. A biographical sketch of each man appears at the end, along with the poem reprinted on a single page.
Mary N. Oluonye, Shaker Heights Public Library, OH
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Gr. 3-5. The text of this picture book for older children is a paean to Shange's family home and the exciting men who gathered there, everyone from W. E. B. DuBois and Paul Robeson to Dizzy Gillispie and Duke Ellington. Taken from Shange's 1983 poem "Mood Indigo," the words here recall, from a child's perspective, what it was like to listen "in the company of men / politics as necessary as collards / music even in our dreams." The evocative words are more than matched by Nelson's thrilling, oversize oil paintings, a cross between family photo album and stage set, featuring this group of extraordinary men interacting--playing cards, singing, discussing. The girl who is always watching them is, unfortunately, portrayed as very young, perhaps three or four, although she appears somewhat older on the beguiling jacket art. Preschoolers are not the audience for this, and despite the helpful notes that introduce the men mentioned in the poem, even older children will need further explanations (e.g., where are the famous women?). Depicting the narrator as a child closer in age to the target audience would have helped bridge the gap between a poem written for adults and a book for children. Still, with words and pictures that are so enticing, this will be embraced by many. Ilene Cooper
Copyright © American Library Association. All rights reserved
About the Author
Ntozake Shange (1948–2018) was a renowned playwright, poet, theater director, and novelist. Her body of work includes Obie Award–winning for colored girls who have considered suicide/when the rainbow is enuf, Some Sing Some Cry with Ifa Bayeza, and the posthumous Dance We Do: A Poet Explores Black Dance and I Am an Old Woman. Among her numerous accolades are the Langston Hughes Medal for Literature, a Guggenheim Foundation Fellowship, the Pushcart Prize, the Poetry Society of America’s 2018 Shelley Memorial Award and three AUDELCO awards. Ms. Shange’s work has been nominated for a Grammy, a Tony, and an Emmy.
Kadir Nelson is an award-winning American artist whose works have been exhibited in major national and international publications, institutions, art galleries, and museums. Nelson’s work has won the Coretta Scott King Award, the Robert F. Sibert Award, two Coretta Scott King Illustrator Honor Awards, and the 2005 Society of Illustrators Gold Medal. His beloved, award-winning, and bestselling picture books include We Are the Ship: The Story of Negro League Baseball; Thunder Rose, written by Jerdine Nolen; Ellington Was Not a Street, written by Ntozake Shange; Salt in His Shoes, written by Deloris Jordan and Roslyn M. Jordan; and many more. Kadir lives in Los Angeles.
