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Map of Days Hardcover – August 27, 2013
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Richard can’t stop thinking about the clock. He lies in bed each night listening to its tick-tocking, to the pendulum’s heavy swing. Why does his granddad open its old doors in secret and walk into the darkness beyond? One night, too inquisitive to sleep, Richard tiptoes from his bed, opens the cherry wood doors, and steps inside . . .
Robert Hunter's first comic was The New Ghost. He has contributed editorial illustration work to The New York Times Sunday Review.
- Print length56 pages
- LanguageEnglish
- PublisherNobrow Press
- Publication dateAugust 27, 2013
- Dimensions7 x 0.5 x 12 inches
- ISBN-101907704612
- ISBN-13978-1907704611
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Editorial Reviews
Review
Shortlisted for the 2013 Cartoonist Studio Prize
"A stunning work of graphic fiction." - It's Nice That
"There are many more examples of creative visual storytelling that I could give, but I think the main point is that the book changes techniques from page-to-page, rarely relying on the same method. It’s an incredibly engaging work, and it’s one I plan to reread many times." - Fantasy Literature
About the Author
Product details
- Publisher : Nobrow Press; First Edition (August 27, 2013)
- Language : English
- Hardcover : 56 pages
- ISBN-10 : 1907704612
- ISBN-13 : 978-1907704611
- Item Weight : 12.5 ounces
- Dimensions : 7 x 0.5 x 12 inches
- Best Sellers Rank: #5,500,631 in Books (See Top 100 in Books)
- #3,419 in How To Create Comics & Manga
- #4,515 in Illustration and Graphic Design
- #5,877 in Literary Graphic Novels (Books)
- Customer Reviews:
About the authors
Robert Frank Hunter is a London based illustrator who works with traditional drawing and printing techniques to produce his other worldly picture narratives. Robert has worked on a wide range of personal and commercial projects and has collaborated with directors at Blink productions on a variety of animated and sculptural pieces.
Robert's childhood was split between the suburbs of New Jersey where deer would pass through the woods into the back garden, and a small house in the Midlands built by his father. Robert draws inspiration from the unusual tales his grandparents shared with him as a boy.
Robert has published a number of books with Nobrow Press including 'Map of Days', 'The New Ghost', and a collaboration with Maccabees singer Orlando Weeks called 'Young Colossus'. Other clients include the V&A, ASOS, Guinness, New York Times, Picador, Time and Phaidon.
Robert Frank Hunter is a London based illustrator. Working on a range of projects in both print and moving image, he is keen to keep applying his work to new disciplines. Robert currently works from Lighthouse Studios in East London and is signed to Blink art. Selected clients include the New York Times, The Guardian, and the V&A.
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I've recently become a fan of Nobrow Press: They put out unique, and often small, runs of graphic novels that stand out as special works of art because of the high level of paper, binding, and printing techniques. Each graphic novel is sized differently to suit best the artwork inside, and the printing technique reminds me of William Blake's illuminated manuscripts. Each book stands out and looks and even feels unlike any comic book or graphic novel I've ever seen. Map of Days by Robert Hunter is an excellent example of Nobrow's high standards of material and presentation of that art.
The verbally and visually poetic prologue to Map of Days would make a worthy little graphic novel on its own. The prologue is a somewhat cryptic creation story told as a parable about nine siblings, particularly one that fell in love with the sun. However, the story gains greater complication after the prologue when one finds out that the sibling is somehow trapped inside an enormous grandfather clock owned by the narrator's grandfather. I know the term "magical realism" is overused to describe postmodern fiction, but I think it works well in this case: The story is both magical metaphor and mundane reality, impossibly both simultaneously.
The plot is bizarre but straight-forward: A young boy tells of visiting his grandfather each summer. His grandfather, who maintained many grandfather clocks that he wound every day, is a mysterious figure. Our narrator sees him climb out of one of the clocks one day and decides to sneak into the clock later on. The rest of the story involves the boy's adventures inside the clock and the way the world inside the clock ultimately has an impact on our world.
I lack words to describe the beautiful artwork and colors, but this anecdote speaks volumes: When I showed a stack of Nobrow Press books to a group of college students, they all gravitated to this particular volume because of its dramatic colors. It engages the reader visually before he gets the chance to read even a single word. A representative example of the creative manner in which narrative is conveyed visually is when, early in the story, our narrator as a grown man makes his way down to the sea. He tells us, "When the sea meets my feet it reminds me of when I was young." Visually, we see the man's feet on the sand at the edge of the water. As we visually read the panels, the adult’s legs in jeans turn into a boy's bare legs sticking out of a bathing suit near the edge of a pool. At no point do we see the man's or the boy's face. I love the way we are visually transported back in time, the way we are shown that this story of childhood is told from the perspective of a grown man.
There are many more examples of creative visual storytelling that I could give, but I think the main point is that the book changes techniques from page-to-page, rarely relying on the same method. It's an incredibly engaging work, and it's one I plan to reread many times. I consider it a rare treasure in my large library of comics and graphic novels. If you’ve been looking for something new and completely different from any other book you own, you'll want to get a copy of Map of Days for your own personal library. You'll also want to seek out other works put out by Nobrow Press.
This was such a weird book. I am not saying that as a bad thing because I love weird. Weird movies, TV shows, people and most of all BOOKS! The quality of this book was magnificent. The story was beautiful both visually and plot-wise. I love the amount of work that Nobrow Press put into making this book work well. The size, and binding of the book was perfectly suited for the books. Nice job!
The Good:
As I stated above, I loved the story. It was just weird enough that I could latch onto the story, and when I thought it couldn't get any weirder, GUESS WHAT?! It did. It was a perfect story, and could not have been told better in more pages.
The art was beautiful. It was so well done. The pictures were done in such a way that it had a cool color scheme, but each frame would have a focal point with a color that would stand out on the cool background; the art nerd in me loved that.
The quality of the book was off the charts. It was not something I would expect from a smaller publishing company, but Nobrow Press really knows how to put a book together. They used quality paper in the actual book, and that is something I really appreciate. Even the overall hardcover is beautiful. It really captures the essence of the story.
The message of the story is one that I will always cherish. I think this is a book that I could read again and again, and find something else that is below the surface. The lit nerd in me was happy with this book.
The Bad:
It is really hard for me to come up with a negative about this, and the only thing I came up with was that at times it was confusing, but I think that was necessary for you to fully grasp the story.
Top reviews from other countries
Ein wahres Lese-Erlebnis für jedes Alter. Ich fühlte mich zurückversetzt in die Bilderbücherwelt der 70er.
The illustrations have the feel of an old-fashioned childrens' book from the '50s or '60s, vivid enough to complement the strange story, simple enough not to get in the way.
Utterly captivating.